archive:books:leger

creative reaction

For Rod McLaren and his <a href=“http://rodcorp.typepad.com/rodcorp/2004/12/how_we_work.html”>How We Work</a> series.

Fernand L&#233;ger, painter (1881-1955) by Siegfried Giedion

<blockquote> L&#233;ger rebuilt his country place in the Chevreuse Valley without an architect. He thought it would serve him for a long time.

Here he invited his friends. A table was pushed into the studio and spread in the midst of the paintings. One ate here with delight, with all the necessary reverence a good meal deserves, for L&#233;ger was a first-class cook. He was also, in contrast to many great men, a most excellent companion. Some female creature was always around the place, but he never paraded this before the world. For him the problems of his work rested on a completely different level. </blockquote>

On his period in New York, 1942-1945:

<blockquote> His studio in New York was near Fifth Avenue on 40th Street. Skyscrapers overshadowed it. Fernand L&#233;ger was working then on his great series of 'Divers' which posed the problem of depicting with a simple black outline hovering, falling, interlocking and transparent figures in weightless space. As he often did, L&#233;ger superimposed wide bands of clear colours. I stood in the studio with Moholy-Nagy and asked, “Why have red and blue patches been laid over the lineal structure of the bathers?” I knew that this was related to the play of contrasts that L&#233;ger always emphasized, but Moholy-Nagy gave the anser: “Don't you see that L&#233;ger must get even with those things out there?” - and he pointed to the skyscrapers. Defense by creative reaction. </blockquote>

All taken from a wonderful book that I found on the bottom shelf of the architecture section in my local second-hand bookshop* - <em>Architecture, You and Me: The diary of a development</em> by Siegfried Giedion. Expect more quotes over the next few weeks.

<p><small>* I'm not going to tell you exactly which bookshop because I have tried to hide another book by Lewis Mumford so that it's there when I next return with more money in my pocket.</small></p>

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